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TMS

McDonalds Happy Meal Games

I designed the motion for these games. I made the intro videos for each project. I was responsible for some game animations, which involved bringing assets out of Figma or Adobe Illustrator and importing them into After Effects for animation. I was also responsible for the delivery of video files, VIE’s, lottie files, sprites, and sound assets to the dev team. I can’t show many here as they haven’t been released yet, but check back in a few months.

Marpipe

Steelseries & Segment

I designed the motion for these animations, and then strategized tests resulting in hundreds of creative options. Using these new animations we were able to increase key marketing stats like CTR and conversions rates. For Segment we brought cost per lead down by over 1000%.

EKO Launch

Brand animations

I made these animations while working at Boomshot for various uses.

RESY - Golden Check

Using assets provided by the creative director for the project, I created a 3d animation to highlight the Golden Check program run by RESY. This program allowed restaurant owners to award patrons who booked with RESY “golden checks” which would grant them a free meal.

RESY x RESERVE

wine swirl

I illustrated and animated this wine swirl by hand for RESY’s campaign surrounding their acquisition of the RESERVE app.

Fanduel - Multisport

I did all the graphics for this spot. We made pop up graphics appear to replicate what might be happening on the phone at the time, and added fun animations to some of the icons. We also made all of the text dynamic and interesting.

NASCAR

Names Are Made Here

I designed this spot, chose shots to be placed, and determined the overall timing and pace of the animation. A key element to the success of this spot was creating 3D lighting effects, and adding texture to both the text outlines and the footage itself. The animation became a key element of the end-cards for hundreds of other spots throughout the NASCAR season.

ESPN

Hand Eye Coordination

I worked closely with those involved in this project from concept to completion. I consulted with the directors, producers, writers, editors, and special effects artists to ensure that the video both represented Overwatch well (as I was the only member of the creative team who had played the game), and spoke strongly to the deaf community. I carefully viewed all of the footage, and pulled key selects. I built references for the special effects team to refer to when building the 3d effects. I also installed overwatch on an office computer so the creative directors and producers could play the game and have a strong reference point for making an amazing film. I also built some sfx sequences myself for the pov shots. I’m really proud of the final product.

RESY x Capital One

North Brooklyn Farms

I edited this short film about RESYxCapital One’s experience. We also made and 30 second version, and the spot aired primarily on social media channels.

ESPN SEC Storied Trailers

I edited these trailers for documentaries to air on ESPN’s SEC network. I also recorded the scratch tracks for the VO.

Hashtag 500

For the Daytona 500, I edited several social media videos for Instagram and Twitter. We made many versions so each driver could post an individualized piece of media. NASCAR liked the spot a lot, and decided to pick up a version to air live on television..

Vuelve - Daddy Yankee ft. Bad Bunny

I did background photography and videography for Vuelve, the 2017 single by Daddy Yankee ft. Bad Bunny. My work became the featured album cover for the single, and was featured on the Instagram, Facebook, and other social media outlets for Daddy Yankee, Bad Bunny, and Daniel Duran, the director. The work appears on iTunes, Spotify, YouTube and many other media outlets.